Nepali - News
Starring :Bharath, Meera Jasmine
Music :Srikanth Deva
Director :Durai VZ
Producer :Durai VZ
Enjoyable in parts
Though the theme and storyline may sound new, the execution is very familiar. A vigilante movie which Tamil audience got accustomed watching for the past several decades.
Durai has tried to weave three different stories together. Though it begins on a positive note, it stutters as it proceeds eventually reaching the climax after much gasping and panting.
The movie has enough doses of romance, action and bloodshed. Unfortunately Durai has missed out on blending them properly.
Bharath lends credibility to the role. A matured performance indeed. After a mass commercial hero in €˜Pazhani€™, he has gone miles ahead to prove that he can play serious hero in the lines of one played by Suriya in €˜Ghajini€™. Though Meera Jasmine looks a bit matured for the role, she gracefully performs the task. However the real scene stealer is €˜Kannamma€™ fame Prem. As a tough cop Goutham he plays to the gallery and looks typically suited for the role.
The movie revolves around Karthik ( Bharath), a software engineer. He comes across Priya (Meera Jasmine) in a hill station. After formal acquaintance, love blossoms between them.
As usual, the girl family protests their affair. Eventually the couple walk out of the house and get married. They face trouble in the form of a greedy and sexual maniac police officer. He lusts on Priya. When he tries to molest her, she gets killed. The blame falls on Karthik.
He kills the police officer and goes to jail, where he meets a Nepali social worker (Govind Namdeo), who voices for women harassed in workplace. Inspired by the Nepali, Karthik comes out of the prison to punish those who misbehave with women at workplace. He bumps off a computer engineer, a professor and a doctor dressed as a Nepali youth.
DCP Gautham (Prem) takes up the task of cracking the serial murders. Does he manage to pin down Karthik forms the crux?
The movie is filled with bloodshed, violence and gore in the second half.
The Nepali make-up sits well on Bharath though at places looks a mismatch.
Cinematographer Madhi has captured the mood really well. The lightings and background shades used by him are eye-catching and set the mood for each scene.
However the movie at many places reminds one of films like €˜Sigappu Rojakkal€™, €˜Manmadhan€™ and €˜Ghajini€™.
Had Durai concentrated more on the slick narration in the second half, the €˜Nepali€™ could have come out strong, healthy and trim.